2.0分1967HD主演:米歇尔·梅奇,恩里科·玛丽亚·萨莱诺,加布里埃莱·丁蒂,雅克·迪比,让娜·莫罗,加布里埃尔·戈班,杰拉德·拉缇戈,Tilly,Lauenstein,雅克·马兰,雅克·莫诺,Laure,Paillette,加斯通·莫辛,阿尔贝·雷米,让·里夏尔,Pierre,Tornade,贾恩卡洛·科贝利,雅克·夏里尔,马塞尔·达里奥,让-皮埃尔·利奥德,让-克洛德·布里亚利,西格弗雷德·斯楚瑞伯格,娜迪亚·格雷,玛丽卢·托洛,弗朗西斯·布朗什,安娜·卡里娜,卡特琳·萨米,拉蔻儿·薇芝,爱尔莎·玛蒂妮利,France,A
Sunday, November the 20th is the anniversary of Marcel Dalio's death in 1983. It was the end of a serendipitous life. You know him. He was a citizen of the world. Born Israel Moshe Blauschild, in Paris, in 1900, he became a much sought-after character actor. His lovely animated face with its great expressive eyes became familiar across Europe. He appeared in Jean Renoir's idiosyncratic"Rules of the Game" (La règle du jeu (1939)) and"Grand Illusion" (La Grande Illusion (1937)), arguably the greatest of all films. True to his Frenchman's heart, he married the very young, breathtaking beauty Madeleine Lebeau. He worked with von Stroheim and Pierre Chenal. He had it all. But then the Germans crushed Poland, swept across Belgium and pressed on toward Paris. He waited until the last possible moment and finally, with the sound of artillery clearly audible, with Madeleine, fled in a borrowed car to Orleans and then, in a freight train, to Bordeaux and finally to Portugal. In Lisbon, they bribed a crooked immigration official and were surreptitiously given two visas for Chile. But on arriving in Mexico City, it was discovered the visas were rank forgeries. Facing deportation, Marcel and Madeleine found themselves making application for political asylum with virtually every country in the western hemisphere. Weeks passed until Canada finally issued them temporary visas, and they left for Montreal. Meanwhile, France had fallen and, in the process of subjugating the country, the Germans had found some publicity stills of Dalio. A series of posters were produced and were then displayed throughout the city with the caption 'a typical Jew' so that citizens could more easily report anyone suspected of unrepentant Jewishness. The madness continued. Entrée des artistes (1938), a popular film, was ordered re-edited so that Dalio's scenes could be deleted and re-shot with another, non-Jewish, actor. After a short time, friends in the film industry arranged for them to arrive in Ho